CHOE U-RAM's work engages a fanciful dialog of aesthetics and machinery and explores themes of biological transformation, flight, and movement. In his recent work, large-scale metal and plastic automata materialize with such a delicacy and weightlessness that it seems to take on the shape and silhouette of an organic life form. Motors, heat and light sensitive materials add to the intricacy of Choe's kinetic sculptures. With Choe's incorporation of scientific nomenclature into artwork titling systems, walking into the gallery space can be reminiscent of touring a prehistoric exhibit at a natural science or history museum-there are certain elements of recognition: mechanical diagrams, text descriptions of habitats,visible evidence of fins evolving into wings, and even propellers. The warm biologic livelihoods of machine-creatures become the subject in Choe's work. These dynamic forms bear emotion and have anthropological roots, despite their streamlined metallic sheen. Narratives authored by the artist complement his 3-dimensional designs and drawings. The visual language of U-Ram Choe describes natural biomorphic form that is marked by a seemingly organic incorporation of etched stainless steel, robotics and acrylic. Exploring the boundaries of archeological discovery and developmental morphology, Choe’s explanations and Latin titles for these creations follow the linguistic traditions of scientific nomenclature. Telling stories using gestural transformation and the tracing of imagined evolutionary stages, these pieces take on the silhouette of actual life forms, as intricate automata express a refined delicacy and weightlessness. Unexpected and fantastical, Choe’s kinetic simulations cyclically breathe with movement that recalls aquatic propulsion, flight and ritualistic courtship displays.